[et_pb_section fb_built=”1″ _builder_version=”4.17.3″ _module_preset=”default” background_color=”#f5f0e7″ background_image=”https:\/\/musicaalcastell.com\/wp-content\/uploads\/2022\/05\/escala-menu2.png” background_size=”initial” background_position=”top_left” width_last_edited=”off|desktop” max_width_last_edited=”off|desktop” custom_margin=”||||false|false” custom_padding=”0px||0px||false|false” background_last_edited=”on|phone” saved_tabs=”all” global_colors_info=”{}” global_module=”6042″ theme_builder_area=”post_content”][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ disabled_on=”on|off|off” _builder_version=”4.17.3″ _module_preset=”default” background_enable_color=”off” background_enable_image=”off” background_size=”contain” width=”100%” max_width=”100%” custom_margin=”||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_3″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/musicaalcastell.com\/wp-content\/uploads\/2022\/05\/musicaalcastell-2022-val.jpg” title_text=”musicaalcastell-2022-val” _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/musicaalcastell.com\/wp-content\/uploads\/2022\/05\/musica-2022-c.jpg” title_text=”musica-2022-c” _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.17.3″ _module_preset=”default” background_color=”#edc228″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/musicaalcastell.com\/wp-content\/uploads\/2022\/05\/musica-denia-2022-VAL.jpg” title_text=”musica-denia-2022-VAL” _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ disabled_on=”off|on|on” _builder_version=”4.17.3″ _module_preset=”default” background_enable_color=”off” background_enable_image=”off” background_size=”contain” width=”100%” max_width=”100%” custom_margin=”||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/musicaalcastell.com\/wp-content\/uploads\/2022\/05\/CABECERA-movil-val-ok3.jpg” title_text=”CABECERA-movil-val-ok3″ align=”center” _builder_version=”4.17.3″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_color=”#ffffff” inner_width_tablet=”50px” inner_max_width_tablet=”50px” custom_margin=”||0px|” custom_padding=”||0px|” z_index_tablet=”500″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.16″ custom_margin=”||0px|” custom_padding=”||0px|” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”||0px|” global_colors_info=”{}” custom_padding__hover=”|||” theme_builder_area=”post_content”][et_pb_blurb title=”INFORMACI\u00d3 RELATIVA A L’EDICI\u00d3 2019″ use_icon=”on” font_icon=”G||divi||400″ icon_color=”#c09209″ _builder_version=”4.16″ header_level=”h2″ text_orientation=”center” use_circle=”off” use_circle_border=”off” circle_color=”#c09209″ global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_padding=”40px||1px|” custom_padding_tablet=”40px||1px|” transparent_background=”off” padding_mobile=”on” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” global_colors_info=”{}”][et_pb_row padding_mobile=”on” column_padding_mobile=”on” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||0px|” custom_padding=”||0px|” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”||15px|” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_orientation=”center” custom_margin=”0px||0px|” custom_padding=”0px||0px|” z_index_tablet=”500″ use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|phone” _builder_version=”4.16″ custom_padding=”15px|||” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”10px|||” transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” column_structure=”1_2,1_2″][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ z_index_tablet=”500″ use_border_color=”off” border_color=”#ffffff” border_style=”solid” global_colors_info=”{}”]<\/p>\n
Flamenc.<\/strong> La seva personalitat inquieta i la seva enorme curiositat queden patents en la seva discografia, que de manera transversal ens mostra tan gran amor per la tradici\u00f3 flamenca com imperiosa necessitat d’eixamplar els l\u00edmits d’aquesta mateixa tradici\u00f3, explorant i experimentant amb melodies, instrumentaci\u00f3, arranjaments i lletres. Aix\u00ed, des d’aquell fresc directe de \u201cAqu\u00ed y ahora\u201d (2009), els seus discos s\u00f3n la cr\u00f2nica d’un enlairar. \u201cClaridad\u201d (2012), \u201cEl Ni\u00f1o\u201d (2014), “Firmamento” (2017) i \u201cVisto en EL JUEVES\u201d (2019) -m\u00e9s la col\u00b7laboraci\u00f3 al costat de Fahmi Alqhai, \u201cDi\u00e0legs de vells i nous sons\u201d (2018)- ens mostren a una artista en cont\u00ednua cerca de si mateixa a trav\u00e9s de la m\u00fasica. <\/p>\n En aquesta cerca, carregada de riscos, s’ha fet amb la complicitat de cr\u00edtica que li ha concedit el Giraldillo a la Innovaci\u00f3 de la Biennal de Sevilla i el premi Coups de Coeur de l’Acad\u00e8mia de Charles Cros (Fran\u00e7a). Tamb\u00e9 ha trobat el suport del p\u00fablic, congregant per exemple a m\u00e9s de 2.000 persones en un concert celebrat l’any passat a Madrid. Per\u00f2 el m\u00e9s significatiu d’aquesta cerca potser \u00e9s que pel cam\u00ed Roc\u00edo ha trobat la seva pr\u00f2pia identitat art\u00edstica. Per aix\u00f2 per a entendre la seva complexa dimensi\u00f3 com a artista cal atendre al poli\u00e8dric de la seva carrera, mirar-la des de diferents perspectives. Ja sigua conquistant els grans temples de la m\u00fasica (Teatre Real, Auditori Nacional, Palau de la M\u00fasica, L\u2019Olimpia o la Filharm\u00f2nica de Par\u00eds), defensant el seu flamenc heterodox<\/strong> en els European Film Awards, el Primavera Sound o el Monkey Week, o desenvolupant les seues propostes m\u00e9s performatives en Escorxador i el CCCB. <\/p>\n Aquesta mateixa inquietud creativa l’ha portat a compartir escenari amb Jorge Drexler,<\/strong> amb qui estrena \u2018Aquellos Puentes Sutiles\u2019 en 2018, Rosa Torres Pardo, Arc\u00e1ngel, Carmen Linares o Jos\u00e9 Manuel Zapata,<\/strong> de la mateixa manera que grava al costat de The New Raemon, Christina Rosenvinge, Kiko Veneno, Albert Pl\u00e1, Dani de Mor\u00f3n, Diego Carrasco o Refree.<\/strong><\/p>\n M\u00e9s enll\u00e0 de la seva faceta art\u00edstica, Roc\u00edo M\u00e1rquez \u00e9s Doctora cum laude per la Universitat de Sevilla amb la seua tesi sobre \u201cT\u00e8cnica Vocal en el Flamenc\u201d, \u00e9s docent en el M\u00e0ster Interuniversitari en Recerca i An\u00e0lisi del Flamenc i conferenciant sobre la veu flamenca.<\/p>\n VISTO EN EL JUEVES<\/strong><\/p>\n En aquesta era de l’usar i tirar i de les xarxes socials, Roc\u00edo M\u00e1rquez proposa un exercici de mem\u00f2ria. Escoltar mem\u00f2ries vives i plurals usant, tallant i pegant i en definitiva remesclant can\u00e7ons i cants, pals i m\u00fasica popular amb un nexe dif\u00fas per\u00f2 al mateix temps crucial en el personal: haver estat trobades en l’hist\u00f2ric mercat ambulant d’antiguitats d’EL JUEVES del carrer Fira de Sevilla.<\/p>\n Arriba aix\u00ed \u2018Visto en EL JUEVES\u2019,<\/strong> el cinqu\u00e8 disc d’estudi de la cantaora, on planteja una reflexi\u00f3 cr\u00edtica sobre el concepte d’autoria mitjan\u00e7ant un repertori en el qual la bretxa entre el flamenc i el no flamenc, el cant i la can\u00e7\u00f3, queda desdibuixada. Trobem d’aquesta manera can\u00e7ons versionades de grans artistes aix\u00ed com pals flamencs recreats. Bambino, Roc\u00edo Jurado, Paco Ib\u00e1\u00f1ez, Concha Piquer, El Cabrero, Turronero, Pepe Marchena, Jos\u00e9 Menese y Manuel Vallejo<\/strong> es creuen i entremesclen amb serranes, abandolaos, fandangos, malaguenyes, ronde\u00f1as, peteneres, buleries, marianes, roman\u00e7os i rumbes.<\/p>\n Despr\u00e9s de prescindir de la guitarra en els seus dos anteriors projectes -\u2018Firmament\u2019 i \u2018Di\u00e0legs de vells i nous sons\u2019-, Roc\u00edo torna a l’instrument angular del flamenc de la m\u00e0 de Canito.<\/strong> Entre tots dos, i abrigallats per les percussions d’Agust\u00edn Diassera,<\/strong> assumeixen el repte d’espr\u00e9mer les seves possibilitats expressives des dels par\u00e0metres de naturalitat i senzillesa musical i transitant per una constant experimentaci\u00f3 d’arranjaments i melodies.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” 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La seva personalitat inquieta i la seva enorme curiositat queden patents en la seva discografia, que de manera transversal ens mostra tan gran amor per la tradici\u00f3 flamenca com imperiosa necessitat d’eixamplar els l\u00edmits d’aquesta mateixa tradici\u00f3, explorant i experimentant amb melodies, instrumentaci\u00f3, arranjaments i lletres. 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